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Her work explores the psycho-physical effects\nof repetition and pattern-based operations in music, by\ninvestigating the polyphonic and polyrhythmic potential of\nsequencers to draw complex geometries in time and space.\nApproaching music practice as an integrative cognitive\nfeedback between humans and technology lies at the core of\nher current sonic research, which focuses on the creative use of\ncomputation and complex sequencing techniques to trigger\ntemporal and spatial hallucinations, often exploring states of\ntrance and emotional focus. Pitchfork has described her music\nas “a mind-altering journey” and “a dreammachine for the ears”.\nHer first release “Vertical”, composed for Buchla 200 and\nvocals, was produced between Elektronmusikstudion and the\nRoyal College of Music in Stockholm and released via Important\nRecords’ Cassauna offshoot (2014). Since then, her work has\nbeen extensively presented in festivals and venues across the\nworld such as Atonal and Berliner Festspiele, Mutek, Unsound,\nSonar, Primavera Sound, Dekmantel, Barbican Centre,\nPhilharmonie de Paris, Berghain, Biennale di Venezia.\nHer full-length debut album “Patterns of Consciousness”\n(Important Records, 2017) has been named as one of the best\nreleases of the year and the decade (Resident Advisor, Noisey,"}],"markDefs":[],"style":"normal"}],"hidePage":null,"isIndexed":true}},"pageContext":{"id":"-1da5cd97-2a13-50d9-8f39-ccb323825fdf"}},
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