WARP PUBLISHING • SPECIAL PROJECTS

    • Kelsey Lu
      Cauleen Smith: The Wanda Coleman Songbook (2024)
    • Commissioned by David Zwirner's 52 Gallery in New York, The Wanda Coleman Songbook is an immersive video installation that enlists scent, sight, and sound to explore the multidimensional depth of poems by Wanda Coleman (1946–2013). Kelsey Lu was commissioned to compose a song reimagining one of Coleman's poems.

      Read more here.

    • Kelly Moran
      Tin Drum: Medusa (2023)
    • Using a Yamaha Disklavier, Kelly Moran wrote and performed a 5 hour piece of original music for artist Tin Drum's immersive work titled 'Medusa' at Pioneer Works Gallery in New York (2023). The composition is an expansion on Ryuichi Sakamoto's orginal piece for Medusa's first iteration, which spatialized and combined recordings of undersea drones.

      Read more here.

    • Daniel Junior-Thibaut
      180 Strand presents Chromatic (2024)
    • Daniel Junior Thibaut recently created a piece for London's 180 Strand with United Visual Artists on 'Chromatic', a software-driven optical instrument, which visualises notes and explores the interaction of sound and colour through harmony and form (2024).

      Watch here.

    • LORAINE JAMES
      VOLUME at New South Wales Gallery (2023)
    • Loraine James created original music for Playback, an exhibition at VOLUME Festival in New South Wales Gallery (2023), alongisde renowned experimental artists FUJ|||||||||||TA, Oren Ambarchi, and Mindy Meng Wang.

      Read more here.

    • Caterina Barbieri
      180 Strand: Future Shock (2022)
    • Future Shock presented works from 14 pioneers at the apex of sound and vision, including Caterina Barbieri's first installation - a multimedia collaboration with Ruben Spini.

      Read more here.

    • Kelsey Lu
      Lucid Dreaming: A Portal To Awakening (2023)
    • Lu was commissioned to compose an eight-hour piece of original conceptual music designed as part of Sydney Festival's immersive installation at the Harry Siedler-designer "mushroom" hotel, for Lucid Dreaming: A Portal To Awakening.

      Watch here.

    • MARK PRITCHARD
      Damien Jalet: Kites (2022)
    • Damien Jalet commissioned a 23-minute bespoke piece of music from Mark Pritchard and Dorian Concept for his project at Göteborgs Operans in Sweden titled 'Kites' - described as an extremely physical reflection on the fleeting, fragile yet powerful nature of life, hanging on a thread like a kite surfing unpredictable currents.

      Read more here.

    • Lorenzo Senni, Mark Pritchard, GAIKA
      Wayne McGregor: +/- Human (2017)
    • Award winning British choreographer Wayne McGregor partnered with Warp artists Lorenzo Senni, GAIKA, Mark Pritchard and Clark to provide the music for his +/- Human exhibition at the Roundhouse (2017).

      Watch here.

    • Space Afrika
      SEE MY WORLD: Manchester, Lagos & Me (2024)
    • Josh Inyang of Space Afrika produced and scored a short documentary titled 'SEE MY WORLD', which explores the cultural and political conditions for artists living in Lagos and Manchester. The film was commissioned by British Council and Big People Music.

      Read more here.

    • Loraine James
      Joan Jonas: DIALOGUE (2023)
    • James composed an original piece of music for the International Woolmark Prize film (2023), created by iconic perofrmance artist Joan Jonas.

      Watch the film here.

    • Squarepusher
      'All Night Chroma' at The Royal Festival Hall (2016)
    • Performed by James McVinnie on the 1954 Harrison & Harrison organ at London’s Royal Festival Hall, eight of Jenkinson’s compositions were recorded in a single night for a special commission by No Nation and PRSF For Music.

      Read more here.

    • MAXWELL STERLING
      Tai Shani: The Neon Hieroglyph (2021)
    • Maxwell Sterling was commissioned by Turner Prize-winning artist Tai Shani for her first online artwork 'The Neon Hieroglyph'.

      Read more here.

    • Florence Shaw (Dry Cleaning)
      EPOCH: Hobart House (2024)
    • Florence Shaw was commissioned by Hobart Current EPOCH Festival in Tasmania to create a poem and sound installation titled 'Plenty Can Be Seen In The Background', which was exhibited in Hobart's Private Secretary Cottage, one of the oldest buildings in Hobart (Tasmania).

      Read more here.

    • YEROSHA
      ZAHA HADID SOUND INSTALLATION
    • ZHA’s most recent artist-in-residence choreographer and multi-disciplinary artist Darren Johnston created an immersive collaboration ‘PORTAL’ at the Zaha Hadid Architects Gallery with a performance by dancer Donna Kim and live soundscapes from Yerosha.